Pictured above: Sometimes a little Sin is good for the Soul (2020) by Alex Beriault

around her the shadows trembled

CROSSROADS 2022 closes in the skies and on the ground. Films of ritual, earthly rotations, seasonal transformations, telepathic transferences and interrogations of media. Suggestions of magic. Hints of worlds beyond veils, of escape. Shadows swell and subjectivities circulate. Find a door within yourself and enter the room behind it.

Advance tickets here. $12 General/$10 Cinematheque Members and members of Gray Area.
Festival Pass here. $110 General/$90 Cinematheque Members and members of Gray Area.
COVID-19 SAFETY REQUIREMENTS: Proof of COVID-19 vaccine is required for entry to Gray Area. The use of masks is highly encouraged.
facebook event here
program community partner: Roxie Theater

SCREENING: shadow swells (2022) by Karissa Hahn (US); digital video, b&w, sound, 3 minutes. Sometimes a little Sin is good for the Soul (2020) by Alex Beriault (Canada); digital video, color, sound, 9 minutes. The Girl Who Is (2021) by Sara Sowell (US); digital video, b&w, sound, 6 minutes.  First Hypnotic Suggestion (2020) by Brittany Gravely (US) & Ken Linehan (US); 16mm double projection, color, sound, 10 minutes. Dans les cieux et sur la terre (2022) by Erin Weisgerber (Canada); 16mm screened as digital video, color, sound, 12 minutes. Object Permanence (2022) by Alix Blevins (US); 16mm, color, sound, 1 minute. Of This Beguiling Membrane (2021) by Charlotte Pryce (US/UK); digital video, color, sound, 5 minutes. la mia camera (2019) by Friedl vom Gröller  (Austria); 16mm, color, silent, 2 minutes.  Das Rad (2021) by Friedl vom Gröller (Austria); 16mm, b&w, silent, 3 minutes. Ertrunken (2022) by Friedl vom Gröller (Austria); 16mm, b&w, silent, 3 minutes. Am Rande des Vorhangs (2022) by Antoinette Zwirchmayr (Austria); digital video, color, sound, 10 minutes. TRT: 65 minutes

full program details here